學(xué)畫畫最好的方法是什么
What is the best way to learn how to draw?
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網(wǎng)友：學(xué)習(xí)繪畫最有效的步驟是什么?簡(jiǎn)單的答案:練習(xí)!詳細(xì)的回答:你需要通過(guò)三個(gè)步驟才能畫得更好：第一是觀察，第二是理解，第三是應(yīng)用。觀察；想畫好，觀察占了80%。學(xué)會(huì)用藝術(shù)家的眼光看你周圍的世界......
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What is the best way to learn how to draw?
學(xué)畫畫最好的方法是什么？
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What are the most effective steps to learning Drawing? Simple answer, practice!
Longer answer: There are three steps that you need to go through in order to draw well. Number 1 is observation, number 2 is understanding and number 3 is application.
Observation - 80%+ of drawing well is observation. Learning to see the world around you with an artists eye. Dont look at a tree and say, I will draw that, then fail. Instead look at the tree in the context of the lanscape it is sitting in. Look at how the branches spread out from the center. See how many times the branches divide into smaller branches, is there a pattern? Squint your eyes and trry to decern - if you had to draw this tree using just 10 lines, which elements would you decide to show? Try to observe the angles of the branches in relation to the horizon, in relation to the trunk, in relation to each other. Does this tree lean to one side, was it wind-swept as a sappling? Or did a deer nibble the young shoots, leading to a deformity? I think you get the idea. Looking and seeing are two different things. To become an artist, regardless of medium you have to learn to observe.
學(xué)習(xí)繪畫最有效的步驟是什么?簡(jiǎn)單的答案:練習(xí)!
詳細(xì)的回答:你需要通過(guò)三個(gè)步驟才能畫得更好：第一是觀察，第二是理解，第三是應(yīng)用。
觀察；想畫好，觀察占了80%。學(xué)會(huì)用藝術(shù)家的眼光看你周圍的世界。不要看著樹說(shuō)，我要把它畫出來(lái)，然后失敗。相反，你應(yīng)該把這棵樹放在它所在的環(huán)境中?？礃渲κ侨绾螐闹行南蛲馍煺沟摹？纯催@些分支又分成幾小分支，是否規(guī)律?如果你必須用10條線來(lái)畫這棵樹，你會(huì)選擇顯示哪些元素?試著觀察樹枝與地平線的角度，與樹干的角度，以及彼此之間的角度。這棵樹是否向一邊傾斜，是否像一棵小樹一樣被風(fēng)吹過(guò)?還是一只鹿啃過(guò)嫩枝，導(dǎo)致了畸形?我想你明白了?？春陀^察是兩碼事。要成為一名藝術(shù)家，無(wú)論使用何種媒介，你都必須學(xué)會(huì)觀察。
Application - Efficiency comes through practical application of knowledge, practical application comes from practice. The first time you draw a rabbit, it will suck! The second time it will look slightly better. By the 50th time, it will look so much better. Practice is key. But be sure you are practicing the right things. Dont spend six weeks drawing a box, instead draw a page or two of boxes, then find something that has an underlying form of a box, then draw that obxt. Later go back and draw some more boxes. The idea, is that you need to learn and practice many different aspect of drawing in order to well… draw well! But unless you apply that knowledge and learn from that experience you will not progress as fast as you possibly could.
I hope this answer helps?
理解；如果你想畫一張臉，卻發(fā)現(xiàn)它看起來(lái)很平或不勻稱。或者你畫了一張嘴，卻看起來(lái)像杏仁，而不是一些“多汁”的嘴唇。那么，你很可能不明白自己在畫什么。試著理解形式的基本原理。要知道嘴巴實(shí)際上是位于一個(gè)由骨骼和肌肉組成的桶狀結(jié)構(gòu)上。要知道嘴巴是由幾十塊肌肉控制的。要知道，下嘴唇通常比上嘴唇更豐厚。學(xué)會(huì)微笑可以改變整個(gè)嘴巴的形狀。這同樣適用于任何物體，無(wú)論是人造的還是自然的。形式遵循功能，試著理解什么是功能，為什么形式是這樣。然后，你可以畫一個(gè)框架，以便添加你的草圖。
應(yīng)用；效率來(lái)自知識(shí)的實(shí)際應(yīng)用，實(shí)際應(yīng)用來(lái)自實(shí)踐。你第一次畫兔子的時(shí)候，它會(huì)很糟糕!第二次看起來(lái)會(huì)好一點(diǎn)。到第50次，它看起來(lái)會(huì)好得多。實(shí)踐是關(guān)鍵。但要確保你在做正確的事情。不要花六周的時(shí)間畫同一個(gè)盒子，而是畫一到兩頁(yè)的盒子就可以，然后找一些有盒子底層形式的類似東西，然后畫那個(gè)物體。稍后回去畫更多的盒子。這個(gè)意思是，為了畫好你需要學(xué)習(xí)和練習(xí)很多不同方面，但是除非你應(yīng)用這些知識(shí)，并從這些經(jīng)驗(yàn)中學(xué)習(xí)，否則你將無(wú)法以最快的速度取得進(jìn)步。
我希望這個(gè)答案能有所幫助。
Draw a lot.
Don't be precious about materials. Don't use fancy art board You want to draw as much and as quickly as possible, without being worried about wasting expensive paper.
Draw fearlessly.
Use a pen No erasers, no correcting fluid. Fill the page completely as fast as you can. Don't sweat details. Use The Force -- let go your feelings, young Skywalker. Get it right the first time or start over. Try to push each drawing to completion, but if you're really not happy with where it's going, toss it in the recycling and move on. Also try drawing without looking at the page. Get ready to be pleasantly surprised by the result.
Draw light, not obxts.
Squint your eyes at the scene until all you can see are big blobs of light and dark. Draw those. Try to ignore boundaries of obxts; let those emerge from the natural boundaries of light and shadows.
多畫；
不要太看重材料。不要使用花哨的藝術(shù)板。你想畫得盡可能多，盡可能快，就不必?fù)?dān)心浪費(fèi)昂貴的紙張。
無(wú)所畏懼地畫。
用筆畫，不用橡皮和修正液。盡可能快地填滿這一頁(yè)。-別擔(dān)心細(xì)節(jié)。使用你原始的感情，要么第一次就做好，要么從頭再來(lái)。試著把每一幅畫都完成，但如果你真的對(duì)它的發(fā)展方向不滿意，就把它扔進(jìn)垃圾桶，繼續(xù)前進(jìn)。也可以在不看初始頁(yè)面的情況下嘗試?yán)L圖。說(shuō)不定會(huì)有令人驚喜的結(jié)果。
繪制燈光，而不是具體對(duì)物體。
瞇起你的眼睛，直到所有你能看到的是大斑點(diǎn)狀光明和黑暗。將它們畫出來(lái)。盡量忽略掉物體；讓它們從光與影的自然邊界中浮現(xiàn)出來(lái)。
Get a stack of 3x5 index cards. Set up a simple still-life, a bowl of fruit or whatever, and draw it on every single index card. Do it from different angles, distances, etc. Use simple lines and don't spend more than two minutes on each one.
Draw everything.
Bowls of fruit and people are always nice, but try drawing whatever's around: rocks, tangled computer cables, a brick wall, a rumpled bedsheet, wrappers and packaging, flaking paint, a movie poster, other works of art, a comic book page, an eggbeater, the underside of a table. Imitate other artists you admire.
There's no such thing as "talent."
Everybody who draws well got there by practicing, practicing, practicing, formally or informally. The only thing that separates you from the masters is the Gladwellian ten thousand hours. Get to it, and have fun.
反復(fù)畫。
拿出一堆3x5索引卡。擺放一個(gè)簡(jiǎn)單的靜止物體，一碗水果或者其他什么，然后把它畫在每一張索引卡上。從不同的角度、不同距離等來(lái)畫它。使用簡(jiǎn)單的線條，每一條線條的時(shí)間不要超過(guò)兩分鐘。
畫所有的東西。
一碗碗的水果和人都是不錯(cuò)的選擇，但是試著畫周圍的所有東西：石頭、亂七八糟的電腦電纜、磚墻、皺巴巴的床單、包裝紙、剝落的油漆、電影海報(bào)、其他藝術(shù)品、連環(huán)畫、打蛋器、桌子下面。模仿你欣賞的其他藝術(shù)家。
世上沒(méi)有“人才”這個(gè)詞
每個(gè)畫得好的人都是通過(guò)練習(xí)，練習(xí)，再練習(xí)，正式的或非正式的方式。你和大師們唯一的區(qū)別就是格拉德威爾的《一萬(wàn)個(gè)小時(shí)》，開始練習(xí)吧，玩得開心。
Draw!
Really. This is one of those skills where you need to jump in and learn by doing. Keep a pen or pencil with you and doodle when you have some free time. Try to sketch up something that interests you. Look at other pieces of art and try to recreate them. What you draw doesn't have to be good, it has to be you.
Things might not look so great at first, but stick with it. Keep your pen to the paper and you'll soon start to see visible improvements in the art you output. You'll develop your own techniques and your own style. Continue to look at art by other artists, and try to replicate them; you'll be exposed to a greater variety of genres and you can pull from each what you like, and build off what you dislike.
You can also pick up some books on how to draw. Depending on what medium you enjoy, the books will teach you shading techniques, tricks in scaling, mixing paint, perspectives, and many other things you might not consciously pay attention to in art. Some books will even have examples for you, for you to draw and learn from.
If you're ever at a loss of what to draw, here are a few brain-stimulants:
畫畫是一項(xiàng)真正的技能，你需要跳進(jìn)去，在實(shí)踐中學(xué)習(xí)。隨身攜帶一支鋼筆或鉛筆，有空時(shí)可以涂鴉。試著勾勒出你感興趣的東西?？纯雌渌乃囆g(shù)作品，試著重新創(chuàng)造它們。你畫的不一定好，一定得畫。
一開始事情可能看起來(lái)不太好，但要堅(jiān)持下去。把你的筆貼在紙上，你很快就會(huì)看到你的作品有了明顯的改進(jìn)。你將形成自己的技術(shù)和風(fēng)格。繼續(xù)觀察其他藝術(shù)家的藝術(shù)，并嘗試復(fù)制它們；你將接觸到更多種類的流派，你可以從每一個(gè)你喜歡的之間發(fā)現(xiàn)你不喜歡的。
你也可以買一些關(guān)于畫畫的書。根據(jù)你喜歡的媒介，這些書會(huì)教你陰影技巧，縮放技巧，混合顏料，透視，和許多其它可能沒(méi)有注意到的東西。有些書甚至?xí)o你一些例子，供你繪畫和學(xué)習(xí)。
如果你不知道畫什么，這里有一些靈感：
Scribble a bit on a sheet of paper. Use those lines as a guideline to make a picture. After a couple times, you'll realize the right amount of scribbling needed to make the type of pictures you're used to making.
Pick an obxt or person, and find the most prominent feature(s) in it. Now draw only those features in such a way that even without the rest of that obxt, someone can tell what the obxt is.
In general, just keep drawing, regardless of what of. You'll only get better the more you draw.
把第二張紙揉成團(tuán)，放在明亮的燈下的圖紙上。畫出紙團(tuán)的輪廓后再把它取下來(lái)?，F(xiàn)在，在不刪除剛剛畫的任何線條的情況下，把這個(gè)奇怪的形狀做成一幅畫。
在一張紙上涂寫一下。然后用這些線條作為指導(dǎo)來(lái)畫一張圖。幾次之后，你就會(huì)意識(shí)到，要制作出你習(xí)慣制作的那種類型的圖片，需要適當(dāng)?shù)耐盔f量次數(shù)才行。
挑選一個(gè)物體或人，找出其中最突出的特征?，F(xiàn)在只畫那些特征，這樣即使沒(méi)有對(duì)象的其余部分，也有人能分辨出對(duì)象是什么。
一般來(lái)說(shuō)，只要繼續(xù)畫畫，總之不管是什么。你畫得越多越好。
Practise a lot. Draw many different things. I'm an artist myself and I make very photorealistic pencil drawings. What I always do (well I don't really do it, it goes automatically because I have autism), I see details, I don't see the whole pictures I only see details, shadows, lights and shapes. This is what I draw. I don't try to draw a cat, a dog, a house or a person, I draw details. And all those details together eventually form the cat, or dog or anything else. So when you look at something you want to draw, don't look at the whole picture but at the details that form this picture.
It would be hard to improve on the previous answers so I will be brief. Here are two principles I learned that helped me greatly as it pertained to realistic drawing:
There are no lines
Everything is a shape
What appears to be a line is actually just two shapes side by side.
When you begin to see the world this way, your drawing will improve immensely. And of course... practice.
多練習(xí)，畫很多不同的東西。我自己也是個(gè)藝術(shù)家，我畫的鉛筆畫非常逼真。我經(jīng)常做的事情（其實(shí)我不是真的這么做，因?yàn)槲矣凶蚤]癥，它會(huì)自動(dòng)消失）是：我看到細(xì)節(jié)，我看不到整個(gè)畫面，我只看到細(xì)節(jié)，陰影，燈光和形狀。我不畫貓、狗、房子或人，我畫細(xì)節(jié)。所有這些細(xì)節(jié)最終形成了貓、狗或其他任何東西。所以當(dāng)你看你想畫的東西時(shí)，不要看整個(gè)畫面，而是看構(gòu)成這幅畫面的細(xì)節(jié)。
很難在前面的回答上進(jìn)行改進(jìn)，所以我將簡(jiǎn)短地說(shuō)。以下是我學(xué)到的兩個(gè)原則，它們?cè)诂F(xiàn)實(shí)主義繪畫中對(duì)我?guī)椭艽?
沒(méi)有線的概念，一切都是形狀
看起來(lái)像一條線的東西實(shí)際上只是并排的兩個(gè)形狀。
當(dāng)你開始以這種方式看待世界時(shí)，你的繪畫將會(huì)大大改善，當(dāng)然還需練習(xí)。
We all do, watch other artists process on youtube, lots of speed drawing videos there. Once again, don't be afraid to suck. Don't try hard at the start, its less discouraging to fail if you don't put in effort. The less effort at the start, the better.
First off, refer to this question for inspiration: Can you post the difference between your first and your latest sketch, being a self-taught artist?
Start by sketching loosely and wildly shapes that you see. take a note pad of cheap paper and just draw all kinds of shapes in your room, quickly and without caring.
Do this for like 20 minutes a day. Until you are getting bored then switch to interesting obxts that you like, dogs, cats, people, dragons, whatever. Draw them, loosely, pay attention to symmetry and spacing and shadows. Where is the light coming from? imagine light as a bucket of paint being thrown at your obxt in a straight beam.
馬修·比爾，素描迷，數(shù)字藝術(shù)家
我們都這樣做：在油管上看其他藝術(shù)家的創(chuàng)作過(guò)程，那里有很多快速繪畫的視頻。再說(shuō)一次，不要害怕失敗。不要一開始就努力，因?yàn)槿绻悴慌Φ脑?，如果失敗就不?huì)那么沮喪，所有在開始階段努力越少越好。
首先，參考這個(gè)問(wèn)題來(lái)獲得靈感:作為一個(gè)自學(xué)成才的藝術(shù)家，你能說(shuō)出你的第一幅草圖和最近的一幅草圖之間的區(qū)別嗎?
從繪制你所看到的形狀開始。用便宜的紙做個(gè)便箋簿，在你的房間里畫出各種各樣的形狀，快速而不必在意。
每天做20分鐘。直到你厭倦了，然后切換到你喜歡的有趣的物體，狗，貓，人，龍等任何東西。把它們畫得松散一些，注意對(duì)稱性、間距和陰影。光從哪里來(lái)?把光想象成一桶顏料以直線的光束射物體。
Draw from photographs instead of real life, then pick your favorite cartoon art style and start drawing from that, copy them, learn them as cartoons often exaggerated shapes which help you understand them better.
Then start looking at anatomy books, learn shading techniques, look at other peoples sketches of plants and animals. Practice Practice Practice.
Look up speed on youtube. Find artists you like and see if they post tutorials for their style. Simply DRAW ALOT
開始跟蹤你的垃圾速畫圖紙，你知道是垃圾，所以從頭開始重新繪制他們，但現(xiàn)在更小心。注意上次的畫中你不喜歡的部分，這次做得更好。最終你會(huì)在第一次就把事情做好，因?yàn)槟阌浀?。你可以為那些形狀、曲線和線條建立肌肉記憶。
利用照片而不是利用現(xiàn)實(shí)生活去繪畫，然后選擇你最喜歡的卡通藝術(shù)風(fēng)格，并從中開始繪畫，復(fù)制它們，學(xué)習(xí)它們，因?yàn)榭ㄍㄍ鋸埖男螤?，這有助于你更好地理解它們。
然后開始看解剖學(xué)書籍，學(xué)習(xí)著色技術(shù)，看看其他人的動(dòng)植物素描，再練習(xí)。
在油管上找到你喜歡的藝術(shù)家，看看他們是否張貼他們的風(fēng)格教程。簡(jiǎn)單地跟著畫就是。
Lots of Practice.
Don’t worry if the first works are not what you expect or want… and especially don’t worry about other people’s views… just carry on practicing.
Draw whatever you fancy. Anything is on the cards.
If you are stuck for ideas, pop around to your local art museum and have a look at the drawings. Have a look at drawings from artists you like (from the internet if not at the museum).
Take photos of things (from a few angles) and draw from your photo’s. These are your photographs - so already have your artistic interpretation. Photo’s also help you with changes in light, especially when trying to draw over a period of time with different light levels reflected off the obxts you are trying to draw. It also helps if you take the photo’s in black and white, or change them to black and white in a photo editing application. When starting to draw, colour can sometimes make it difficult to interpret the necessary amount of shading required.
It’s also worth mentioning that lots of superb drawings are straight from the mind, with few, or no, physical obxts to draw from. Have a look at M.C. Escher.. nifty and complex drawings. But… before Escher could create his fantastic drawings, he still had to practice so he could learn how to draw the people and obxts that form parts of his drawings.
需要多練習(xí)。
如果第一部作品不是你所期望或想要的，不要擔(dān)心，尤其不要擔(dān)心別人的看法，盡管繼續(xù)練習(xí)。
你想畫什么就畫什么，一切都有可能。
如果你有很多想法，可以去當(dāng)?shù)氐乃囆g(shù)博物館看看你喜歡的藝術(shù)家的畫（如果不是在博物館，可以從網(wǎng)上看）。
從幾個(gè)角度拍一些東西的照片，并照著照片上畫。這些是你的照片，所以上面已經(jīng)有你的藝術(shù)詮釋。特別是當(dāng)你試圖在一段時(shí)間內(nèi)用不同的光線水平反射你試圖畫的對(duì)象的時(shí)候，照片也可以幫助你改變光線。如果你拍攝的照片是黑白的，或者在照片編輯應(yīng)用程序中把它們改成黑白的，這也很有幫助。當(dāng)開始繪制時(shí)，顏色有時(shí)會(huì)使您難以理解所需的著色量。
另外值得一提的是，很多優(yōu)秀的繪畫作品都是直接從頭腦中畫出來(lái)的，很少，甚至沒(méi)有實(shí)物可供借鑒?？纯碝.C.埃舍爾。漂亮而復(fù)雜的圖畫。但是在埃舍爾能創(chuàng)作出他奇妙的圖畫之前，他還得練習(xí)，這樣他才能學(xué)會(huì)如何畫出構(gòu)成他圖畫一部分的人和物體。
Coloured pens/pencils, charcoal sticks, clickable designer pencils with different types of lead, and the standard pencil ranging in hardness from high H numbers down to high B numbers.
Pencils are rated on the hardness of their lead, the grey bit in the middle. A hard pencil lead, say H2, provides a light grey, a soft pencil, say B2, provides a dark grey. The average pencil type is a HB. You can also change the shade (dark/light) by pressing down harder (dark) or lighter pressure (light). You can buy lots of different hardness of pencil, but I generally have H2, HB, B2, B4… (I like shadows…)
You can draw on anything, from toilet roll to cardboard to cave walls… we used to do that a lot… must be in our blood! But usually drawing on some medium ‘weight’ paper will do the trick. Basically whatever texture, colour or type of paper (or other medium) that you like… but a thicker paper will ensure you don’t accidentally stick your pencil through it (we get frustrated sometimes…) and when you’re at the point you wish to sell your drawings, thicker paper sells better than flimsy (depending on the artist… if Picasso drew on bog roll… it would still be worth a fortune…).
If you’re not too sure what paper to buy, have a look in your local art supplier (usually staffed with artists… full of helpful ideas) and buy a standard drawing pad in the size you want to draw (A5 -double postcard size, A4 - standard letter size, A3 double letter size etc.). Or buy from the internet... but you don’t get to feel the paper before you buy.
Drawing is sometimes frustrating, sometimes feels like a chore… but at the point you get to that ONE drawing… wow oh wow you are on top of the moon gazing down on a work of art…. and YOU did it!!!
Drawing is truly, really, absolutely worthwhile… do it and be prepare to amaze yourself. You are amazing if you do it!
從實(shí)用的角度來(lái)說(shuō)，你可以使用不同的工具來(lái)畫畫。
彩色鋼筆/鉛筆、木炭棒、帶有不同類型鉛芯的鉛筆，以及硬度從高H值到高B值不等的標(biāo)準(zhǔn)鉛筆。
鉛筆的硬度取決于它們的鉛，中間有灰色的鉆頭。硬鉛筆芯，比如H2，提供淺灰色，軟鉛筆芯，比如B2，提供深灰色。一般的鉛筆類型是HB。也可以通過(guò)更用力（深色）或更輕的壓力（淺色）來(lái)更改陰影（深色/淺色）。你可以買很多不同硬度的鉛筆，但我一般有H2，HB，B2，B4等（我喜歡陰影）
你可以在任何東西上畫畫，從廁紙到硬紙板到洞穴墻壁等，我們以前經(jīng)常這樣做！但通常在中等重量的紙上畫畫就可以了。基本上，不管你喜歡哪種質(zhì)地、顏色或紙張類型（或其他介質(zhì)），但厚一點(diǎn)的紙可以確保你不會(huì)不小心把鉛筆插進(jìn)去（我們有時(shí)會(huì)感到沮喪……），當(dāng)你想賣掉你的畫時(shí)，厚紙比薄紙賣得好（取決于藝術(shù)家，如果畢加索畫的是泥沼卷，它仍然值一大筆錢。）。
如果你不太確定要買什么樣的紙，那就去看看當(dāng)?shù)氐乃囆g(shù)供應(yīng)商（通常藝術(shù)家有很多有用的想法），買一個(gè)你想畫的尺寸的標(biāo)準(zhǔn)畫板（A5-雙明信片尺寸，A4-標(biāo)準(zhǔn)字母尺寸，A3-雙字母尺寸等等）?；蛘邚木W(wǎng)上買，但在你買之前你沒(méi)法摸到紙。
畫畫有時(shí)令人沮喪，有時(shí)感覺(jué)像是做一件家務(wù)活，但當(dāng)你開始畫那幅畫的時(shí)候，哇，你在月亮上俯視著一件藝術(shù)品，你做到了！
畫畫是真的，也絕對(duì)值得的，畫就行了，并準(zhǔn)備讓自己感到驚訝。如果你做到了，你真是太棒了！
Draw as much as you can. Draw from life, draw from pictures, draw from your favorite show, draw in the cafe, in line, during school, after tests, just draw draw draw.
getting a teacher is not required, to be honest. You can find millions of tutorials online on deviantart, artstation, tumblr, pinterest, etc. etc. if you're short on cash or just don't have the time to get a teacher, just draw on your own! Art, and by extension drawing, is something that takes a lot of time to hone and get better at. It's like learning to play the piano.
Additionally, practicing the correct way is the best way to get better at art. Perfect practice makes perfect. Try not to focus on details when drawing. Get the general shape and feel of whatever you're trying to draw down first. That's a super huge hole that a lot of beginners love falling into. You love drawing eyes, and spend hours on one eye only to find out that the rest of the face is mediocre at best. Also, be confident in your strokes. It's okay if they aren't completely accurate, but make as many bold, quick, confident strokes as you can when drawing.
And, definitely look at the old masters. Examples: Alphonse Mucha, Da Vinci, Rembrandt, Van Gough, Monet, Gustav Klimt, Titian, Botticelli, Norman Rockwell, the list goes on and on. Try to capture the feel and composition of their pieces. Copying is okay, as long as you don't try to pass the work you copied off as your own. There are millions of reference pictures you can find on any art site (deviantart in particular is rather famous, but i'll also recommend to you a tumblr blog: Art References)
Take individual parts from different things and study them. Look at hands, feet, arms, legs, parts of a car, parts of a robot, etc. etc.
Also, realize that your stuff is NOT gonna look great 100 percent of the time. That's part of the journey. Realizing that your drawings aren't great is the first step to improving. Also, understand that not every art piece has to be a priceless artifact. Know when to throw away the things you used to love and move on to continue improving.
Just keep trying your best, and draw as much as you can! Fill up 1000 sketchbooks. And when you're done with that, fill up another 9000.
盡量多畫。從生活中畫，從圖畫中畫，從你最喜歡的節(jié)目中畫，在咖啡館里畫，在排隊(duì)時(shí)畫，在學(xué)校里畫，在考試之后畫，盡管畫。
老實(shí)說(shuō)，找個(gè)老師是不需要的。你可以在deviantart、artstation、tumblr、pinterest等網(wǎng)站上找到數(shù)以百萬(wàn)計(jì)的教程。如果你缺錢或沒(méi)有時(shí)間請(qǐng)老師，那就自己畫吧!藝術(shù)，以及延伸繪畫，是需要大量時(shí)間來(lái)磨練和改進(jìn)的東西。這就像學(xué)彈鋼琴一樣。
此外，正確的練習(xí)方法是提高藝術(shù)水平的最好方法，熟能生巧。畫畫時(shí)盡量不要專注于細(xì)節(jié)。首先得有你想畫的東西的大致形狀和感覺(jué)。很多初學(xué)者都喜歡掉進(jìn)這個(gè)超級(jí)大的誤區(qū)：你喜歡畫眼睛，花了幾個(gè)小時(shí)在一只眼睛上，最后發(fā)現(xiàn)臉的其他部分充其量也不過(guò)如此。同時(shí)要自信。如果畫得不完全準(zhǔn)確也沒(méi)關(guān)系，但是在畫的時(shí)候要盡可能大膽、快速、自信地畫幾筆。
還有，一定要看看那些古老的大師們。例如:阿方斯·穆夏、達(dá)·芬奇、倫勃朗、凡·高夫、莫奈、古斯塔夫·克里姆特、提香、波提切利、諾曼·洛克威爾，還有很多。嘗試捕捉他們作品的感覺(jué)和構(gòu)圖。復(fù)制是可以的，只要你不試圖以為你復(fù)制的作品就是自己的。你可以在任何藝術(shù)網(wǎng)站上找到數(shù)以百萬(wàn)計(jì)的參考圖片(deviantart尤其有名，但我也會(huì)向你推薦一個(gè)tumblr博客:art References)
從不同的事物中提取不同的部分并研究它們。看看手，腳，胳膊，腿，汽車的部件，機(jī)器人的部件，等等。
同時(shí)，你要意識(shí)到你的東西并不會(huì)百分之百的看起來(lái)很好。這是過(guò)程的一部分經(jīng)歷。意識(shí)到你的畫并不好是改善的第一步。另外，你要明白，并不是每件藝術(shù)品都必須是無(wú)價(jià)的。得知道什么時(shí)候扔掉你以前喜歡的東西，然后繼續(xù)改進(jìn)。
只要繼續(xù)努力，盡你所能畫!畫滿1000本速寫本。當(dāng)你用完這個(gè)，再畫上9000個(gè)。
Check out "The Elements of Drawing" by John Ruskin. It's an old book but it is a classic. You will enjoy the style of writing just as much as the straightforward exercises.
Also Kimon Nicolaides',"The Natural Way To Draw" is worth a look.
And of course the Betty Edwards book always deserves a mention. Probably the best place to start if you haven't got much confidence or doubt your own abilities.
It shouldn't be a surprise to find all three authors tackle the subject from different perspectives which means you can pick one which suits your own needs and expectations.
看看約翰·羅斯金的《繪畫元素》。這是一本舊書，但卻是一本經(jīng)典之作。你會(huì)喜歡這種寫作風(fēng)格，就像簡(jiǎn)單的練習(xí)一樣。
基蒙·尼克萊德斯的《自然繪畫》也值得一看。
當(dāng)然，貝蒂·愛德華茲的書總是值得一提。如果你對(duì)自己的能力缺乏信心或懷疑，這可能是最好的開始。
三位作者都從不同的角度探討這個(gè)主題，這并不奇怪，這意味著你可以選擇一個(gè)符合你自己的需求和期望的。
Yes of course it is possible to learn to draw! I see a lot of good resources here and you can find many more all over the internet. Your question suggests three ideas I think are important.
I think your question suggests that is drawing an inborn skill. Drawing is not inborn although some people are extremely interested in drawing. They work at it a lot so it seems like it is easier.
Michelangelo said,"If people knew how hard I worked to get my mastery, it wouldn't seem so wonderful at all."
I guess in a way it is easier because it is easier to work at something that you are interested in doing. But you don't start good you start with the interest.
Another thing your question suggests is the problem of being too self critical. It can be paralyzing. But it is a blessing. Perhaps you think you are not good as you would like. This is a good thing. You have something to shoot for. You have a goal. You have taste. You have a vision. Now you can get to work.
The last point I want to make is that drawing is a record of your own vision. Everyone sees differently things with their own mind. We are not cameras. It may be a useful exercise to try drawing like a camera. But in the end we have to express what we see with our unique vision. Put that idea first then do what you need to make that happen.
Is this helpful?
是的，當(dāng)然可以學(xué)畫畫！我在這里看到了很多很好的資源，你可以在網(wǎng)上找到更多。至于你的問(wèn)題，我認(rèn)為我有三個(gè)想法很重要。
我認(rèn)為你的問(wèn)題表明繪畫是一種與生俱來(lái)的技巧。雖然有些人對(duì)繪畫非常感興趣，但并不是天生會(huì)繪畫，于是他們經(jīng)常這樣畫，所以看起來(lái)更容易。
米開朗基羅說(shuō)：“如果人們知道我是多么努力地去掌握我的技藝，它就不會(huì)那么美妙了?！?br /> 我想從某種程度上來(lái)說(shuō)更容易，因?yàn)樽鲎约焊信d趣的事情更容易。因此你開始的時(shí)候不是很好，而是從感興趣開始的。
你的問(wèn)題表明的另一個(gè)問(wèn)題是過(guò)于自我批評(píng)。它可以讓人麻痹。但這是一種祝福。也許你認(rèn)為你沒(méi)有你想要的那么好，這是件好事讓你有一個(gè)目標(biāo)。你很有品味又有遠(yuǎn)見，現(xiàn)在你可以開始工作了。
我想說(shuō)的最后一點(diǎn)是，繪畫是你自己視覺(jué)的記錄。每個(gè)人用自己的思維看不同的事情。我們不是攝像機(jī)。試著像照相機(jī)一樣畫畫可能是一個(gè)有用的練習(xí)。但最終我們必須用我們獨(dú)特的眼光來(lái)表達(dá)我們所看到的。把這個(gè)想法放在第一位，然后做你需要做的事情。
上面所說(shuō)這些有用嗎？